e-motionz introduces charly m. to its audience with this three-track release. the original edit is deep emotronic with sweet filtered sounds on top of a pounding sub-kick. berlin based mood music owner sasse makes extensive use of the original elements on the a-side, but not without adding a twist to it as only he can. nine minute of divine cruising beats. making things complete, novak & therm sign up for a more up-down-up rework that is more violent than you would think after a first listen. supported by sian, michel de hey, marcel janovsky

with musical credentials that most producers would kill for, the organic breakbeat mastermind that is ils really does not need an introduction! with early 12 releases on groundbreaking labels such as good looking records and mo wax, ils had his foot firmly lodged in the musical door from the off.

a: >only lycra<: a beautiful deep and warm sounding melancholic dub train is bringing you trough this mysterious ,secret squonky night, with jazzy harmonies,tribal rhythms and some laid back minimal roots. you would not want to get out of it...!! b: >frispo<: synthetic slapping bass line,dark stomping modulated beat sounds, a tooly but functional character and some duby vocal cuts pushing it consequently to the dance floor

wipe the needle productions present the combined talents of london born producer lee gomez and swedens own mikael nybom. a chance meeting at a london label may have proved unsuccessful but it essentially brought them together, and would see them make quality house music. the duo is known for breaking the boundaries of house music, always flipping between soulful, deep, dark, techy to whatever goes as long as its spelt house.wipe the needle will be releasing their ep including 3 killer cuts â&#128,&#152,all i am, slaves, warehouse 88 through slip n slide, and the feedback has been amazing, with tastemaker support from every corner of the world, including: tedd patterson, tiger stripes, silicone soul, hardsoul, worldless people, charles spencer, murray richardson...

a1: bando, label owner strikes back with palo cero palo characteristic tune of his new sound , soft techno sequences over an electronic base rhythm with breaks for the dancefloor that others would define as hi tech. b1: tim baker. chicago based label owner of elephanthaus and realestate, 20 years djing and more than 10 producing for labels like ovum, nova mute and his owns. creeper has a chord sound that reminds to the classic basic channel / maurizio but with his own imprint, same style of his last release misconceptions of the misunderstood. b2: leandro gámez. dont break my heart is a minimal-tech track with vocals in the line of his last release me implica on circle music.

skat, the paris underground groove machine, the ever banging and so respectably personal sounding producer is onboard with us at sthlmaudio! mais oui!!! fred aubourg a.k.a. skat made his first musical education in the early 80s in rouen by listening his father during his radio show. hidden behind the mixer, he discovers artists and musical styles which would soon become essential for him, and would naturally lead him towards house, hip house and hip hop as well. he will then build his first loops with a k7 recorder in the mid 80s... skat comes here with a deliberately house ep. and it makes us all happy, because weare tired of the sterile, tired of the clicks with micro kicks

after the hypnotic ethereal sound of stream of consciousness and the rootsy down home feeling of the nakusanga ep, an underground buzz began about what would come next from the bu mako label. the fragments ep establishes jenifa mayanja as a serious artist unafraid of pushing boundaries, branching into the unexpected, quietly seducing the listener without beating down the senses into submission. while jenifa mayanja makes no declaration as to what genre she may be classified into, the music has no problem resting comfortably between deep house, future jazz, downtempo, detroit tech and electronica.

quality electrohouse production as you would always expect from the stereo seven label!!

similar to naughty filthy mouthed teenagers – >homecoming< off the new single, is full of foul innuendoes and lyrics that would make serge gainsbourg blush. with its nonchalant and biting humour, >homecoming< is a 21st century >summer loving< set to a sleazy lo fi french pop backround , a wash with guitar hooks and soaring electro synth riffs. now released on kitsuné , the label that helped launch the careers of klaxons and crystal castles, the teenagers homecoming is set to be huge in clubs too. thanks to the monster it became under guns n bombs remix work : already a club hit from both sides of the atlantic. the parisian vibe is added by the young producers gentlemen drivers and nyc is bringing its filthy prog house vibe through passions synths

palette is proud to debut its newest artist, dave hughes. the irish born, la-resident sound engineer finally let palette in on his music making secrets. the result is daves debut ep >lets do it<. a three tracker showcasing what is to come from this visionary artist. >lets do it< kicks the ep off with a strong rhythmic solid base which alone would be enough to solidify it as a stand out track, but without delay the song quickly develops into a musical journey with rhythmic chords at the end providing the icing on the cake. the flip side provides two more tracks of the same calibre, >it all deepends< and >realization< showcase great sound design skills and a message about our own humanity. take in to account the heavy subs and intricate drum programming and you have what we feel to be a classic palette recordings single

dead soul brothers is that man herve again, along with production partner seba. the eight track double pack opens with a four cuts of dancefloor hysteria - the type you would expect from the man herve. it also includes a killer rerub from phones too. the ep then turns into a blissed out, dreamy electronic psyche album reminiscent of rubber soul era beatles not what youd be expecting at all! its very much in that chemical brothers vein one minute bangin, the other all fluffy and deep. limited to 500 copies and totally needed.

adam beyers drumcode imprint is about to go through something of a rennaissance with some simply sublime material about to hit the streets this autumn/winter. traditionally his labels would always have a very swedish bias - something which has now opened up to include new exciting producers from further afield. one of these producers who adam greatly admires is perc who has delivered this devastating 3 tracker for drumcode. perc has his own label perc trax and his recent remix of dj hell on kickin records was a firm favourite in adams sets for many months….

nrks coast2coast opens up its post summer account with a mix cd from one of the scenes brightest stars, karizma. best known for his basement boys collaborations, karizma has struck it solo in recent years and has bridged the gap between jazz influenced broken beats and the edgier, techier sounds of his kohesive productions. these double pack vinyl lps present some of the choice tunes on offer on his dj mix, including tracks & remixes from slope, onsulade, pasta boys, tyree, vikter duplaix and many more

tip/ultra big tune for all minus lovers !! magda, troy pierce and marc houles occasionall label items and things makes a welcome return featuring four more superlative grooves from marc houle, thrill cosby, kasper and alexi delano !!

supported by brett johnson, woody, dj t, chris duckenfield and laurent garnier !! >the last shooter< uses mind bending funk to tell the story of three people ending an epic day/night in a blaze of jagermeister glory. the most descriptive element of this tracky adventure would be the misguided, off kilter synth twists that give the listener the illusion of drunkenness and vertigo. backed with a spine of latin percussion and tweaked low rez hi hats this a side packs a punch that can be only compared to >the last shooter< of the night.funk flows on when you flip it to side b. fongtom rides along with a thick walking bass line that weaves grinds with some of ferreyras signature percussion. a playful melody serves as the memory game hook that wont fade away even after a post joint meltdown or a night of mtv top 40 abuse

if zox was a sculptor, his works would be angled and polished, simple and magically effective. no sound on this record (which is called >more fluff<, which astonishes me) hangs around too long between the acrylic clear beats, the square waves are bellied and cold as vodka from an iceberg, the higher frequencies refreshingly cool as hills in the highlands, and straight lines are the dominating theme by far. this is dance music in itself. the basses live in rich bounteousness which is strictly controlled, though. why boom it when you can bang it? perfect shapes, functional beauty and a refreshing taste will rock you.

krischmann & klingenberg - germanys new faces of dance floor destruction - have a long history concerning their collaboration and music. they already met at school and soon after realizing that becoming musicians would be a dream they started living it: both infected by the hardstylevirus had been working together for a long time and after their first release at skull tunes and the immediately following >hammerhuhn ep< at unknown power the audience experienced raw power with a high level pressure. they spent nearly all of their living on equipment last year and one can truly say that they became a massive package performing live. prepare for fresh sounds and kicking beats

so you know were partial to a pseudonym or two in the dubsided camp. so just to confuse things further we would like to introduce voodoo chilli aka herve aka count of monte cristal. with a remix from mustapha 3000, aka erol alkan, the banging title track >look what you done to me< is accompanied by two more knock-hard tracks on the ep

bugz in the attic member seiji with the first of 2 vinyl parts of his dj tools selection on sonar kollektiv.with a hint of grime, broken beat, hip hop, 80s funk, but also easy listening, its most clear that fast paced, tight breaks dominate plus typical bugz ingredients such as square wave synths and the infamously fat bass lines. these sounds would suit dj sets from broken beat through to drum & bass and on to electro

bugz in the attic member seiji with the second of 2 vinyl parts of his dj tools selection on sonar kollektiv.with a hint of grime, broken beat, hip hop, 80s funk, but also easy listening, its most clear that fast paced, tight breaks dominate plus typical bugz ingredients such as square wave synths and the infamously fat bass lines. these sounds would suit dj sets from broken beat through to drum & bass and on to electro

dont be fooled by the plural >boys.< alexander ridha, 24, is just one man and he can do it all on his own. nobody, however, would argue about the >noize< part. as a kid he taught himself to play the drums and piano, started to write his first songs when he was 12, and at the age of 16, discovered his love for programming and producing. his music and productions have excited massive interest from artists like soulwax, justice, erol alkan and the rapture and labels such as kitsuné, ed banger, fatboy slim s skint, dj hells intl gigolo and tigas turbo rec - to name a few. daft punk have sent him their love via myspace and his remixes of depeche mode, feist, british indie anthems >banquet< by bloc party and >everyday i love you less and less< by kaiser chiefs have thrilled global djs and crowds all over the world.

brommage dub is jesper dahlbäck and jean louis huhta.the two has recorded music together under this pseudonym since the mid 90s when the first releases came out on svek. in fact this year would be a perfect 10 year anniversary for this duo. this is the first release on their own imprint bromma, which is a part of stockholm 5 km west of the city. this was the home for jean louis during the early years of their produciton phase and which gave the duo their name. carbon oxide is a gas which was produced in the factory where jean louis huhtas studio now resides

second special sampler from the music for dreams imprint here feat quality spaced out deep house tracks as you would always expect to hear on this label

toolrooms mark knight hooks up with the amazing luciana (last summers smash bodyrox yeah yeah and martijn ten veldens current hit wish u would) together they ve created a killer cut for all the house heads, club freaks and party animals across the globe, a sure fire anthem for 2007 with a remix package to die for rene amesz, workidz & richard dinsdale.

his debut album urban plastic has been hotly anticipated but its not long now because its due for release in october. what you have in your hands is the first single plastic fantastic, which features the vocal talents of ashley slater. this tune is built solely to rock the party from back to front and getting the dancefloor freakin out! anyone who has not checked out madox g toolz ep series then let the g dub be a lesson to you. proper off the hook thundering breaks hitting hard were it hurts. riva starr is a new project from madox, which has forthcoming releases on claude von strokes dirtybird and jesse roses frontroom labels. as you would expect its a bumping ride into electronic weirdness and you cant help but love it. jamie fanatic also ramps up the party vibe on his boompty remix. all in all you got yourself an excellent package of jackin mixes here.

kenny dope gonzales and lil louie vega made their production debut on the new york label way back when, so there can be no one more fitting to compile the first new album release on the imprint. in case you didnt know, strictly rhythm were one of the most important house labels of the 1990s. established by entrepreneur mark finkelstein and serious club babe gladys pizzarro, the label would launch the careers of, among others, roger sanchez, erick morillo and, as we ve seen, masters at work. pretty significant, then! strictly maw is an album no true househead will want to miss

kenny dope gonzales and lil louie vega made their production debut on the new york label way back when, so there can be no one more fitting to compile the first new album release on the imprint. in case you didnt know, strictly rhythm were one of the most important house labels of the 1990s. established by entrepreneur mark finkelstein and serious club babe gladys pizzarro, the label would launch the careers of, among others, roger sanchez, erick morillo and, as we ve seen, masters at work. pretty significant, then! strictly maw is an album no true househead will want to miss

when jesse rose and future house music berliner oliver $ got together it was obvious that something special was about to happen and we would say thats exactly what went down. head to the a-side for jesses deepest ever remix, subtel yet straight to the point…the release fits the label perfectly, just five minutes of grooves with that twisted edge. already getting plays by the likes of bob the builder, fritz the cat, the furry freak brothers, eddie murphy and the likes. keep it real, keep it dumb, keep it playing... dj support matthias tanzmann, dj t, anja schneider ...

the new project of japanese dj/producer yukihiro fukutomi. he is well known as a pioneer of the japanese house/dance music scene. his career started as the dj of legendary club gold in the late 80s, and started productions from 1990. his works are known worldwide, releasing on king street, irma and jcr. foog is a project inspired by his musical roots old school chicago,detroit techno,spiritual jazz,progressive rock…he makes fourth dimension sounds with digital synths and real vintage keyboards. 4040s rhythms and textures are inspired by spiritual jazz, this would be great stuff for fans of henrik schwarz,carl craig,and the deep space sound

one of the best tunes tunes for now! great beats, brill vocal! brand new dave spoon & mario ochoa,sandy vee & paul star & fred pellicero mixes plus the original, which is a mega club hit in the uk & the rest of the (dance) world !!vocals by marc almond. ibiza winner 2007 - we would bet any money that ... !

great follow up to the >super constellation ep<. supported by kiki, xpansul, karotte and jeff milligan !! the virtuose producer marcin czubala from poznan is back on mobilee. after his first and by the way very successful “super constellation” release on mobilee “we got an offer we can´t refuse”. he once again delivers the same groovy and unique czubalaquality. with this ep he finally became part of the mobilee famiglia.the theme is inspired by italian mafia movies from the late 70ies. so better wear bullet proof vests when listening to the tracks. mario puzo would love the music

essential proggy 2 tracker by sam ball quality stuff as you would always expect from the eq imprint

der dritte raum is possibly one of the most innovative liveacts germany’s techno scene has brought forward since the early nineties, the formative years when frankfurt trance was growing into a national movement that would change the course of dance music in germany forever and inspired countless individuals with its take on electronics. with two album releases on the incredibly influential frankfurt harthouse imprint, which was partly run by pioneer dj sven väth, techno germany’s undisputed father figure who still spearheads the scene, and three album releases on virgin, there is hardly any live act and producer duo as successful and innovative as d3r

yo. its 2007. many people make the wrong decision. dont want no hihats. just want smörsås. check this. this goes out to our main mongos speak, reh dogg and siggi. rest in peace. my respect, he was the best. yeah cmon. sometimes people make hihat. dont know what is for. bizniz! yeah thats right, cmon. we dont want no hihat, just live and love eachothers, our family our friends. we have so much smörsås. the world is too big. cmon.yeah. stop your hihats. stop your bizniz. we pray for god. check. why must you cry? bizniz. yeah c mon. if you were a wheel chair i would still care and love you? hugg & pepp 4 life 2007

tannen consists of stel, the man behind all things group therapy, and vangelis otherwise known as phatjack. stel’s discography so far has seen him produce original work and remixes for some of the hottest and most popular labels in the industry such as audiotherapy, bedrock, saw, armada, baroque, swift, oxyd and global underground. phatjack have released on labels such as nascent, baroque, deep, sog and extrema. we were confident that their production together would be tasty stuff! nick warren (head of a&r) agreed and used blackout to end his latest global underground compilation, which reached the top twenty uk compilation charts

i dont have much to say about the dahlbacks. jesper is one of my best friends, even though he is a serious pain in the ass. john made 6 records in the time it took you to read this sentence....and he just turned 11. every once in a while they take about 40minutes out of their hectic schedule (john stops making records...to make a record, while jesper take s a break from the grueling demands of being a condo association manager) to make a record for turbo. in all honesty i think they give me the tracks they forgot about..... cuz you know if they really loved them they would keep them for their own lame labels. so, instead i leave you with the music. 3 tracks that prove again that somehow, against all odds, when you put cousins in a studio they bring out the best in each other. jespers maverick genius and time-honed wisdom tempers johns youthful passion and naive exuberance.. while johns youngbrain redefines the game and reenergizes the old master. the two cousins locked in a dance that continually blurs the lines between student and teacher, a sonic sibling rivalry a musical match with one clear winner ....you!!

david ekenbäck has developed a sound that is not what you would expect of a young swede. dynamic electro-techno, often accompanied by soft melodies, his music is thought often as an enigma to unsuspecting listeners. here he delivers two perfect examples of that. on the aside youll find this killer track. >data death< is like someone sneaking up on you in an alley and stabbing you in the back. a peak time electro raver for the likes of trentemøller, sebastien leger and great stuff.

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

a great package of remixes for grand def audios elle on the wonderful hot to trot label funky breaks action here as you would always expect on this fine label

attention: it s nu-rave time!! sureshot for all fans of klaksons, kitsune, erol alkan. ed banger !!! next up on 12 inches we release a song from kim. of the presets and modular fame. whoah kim your a party machine! a lot of kim music is making us shake lately but this one especially makes your brain shake. it starts off with a din din da da da da din din of a steel drum and some bongo s and rolls and rolls like indy basement jaxx techno making you feel like you are in some kind of psycadelic carnivale in brazil in a moshpit or something, the vocal screams, >by the time they reach you i ll probably be dead< it s the kind of song you would be listening too if you were to be stuck in a hotel room surrounded by hot naked brazilian strippers doing coke off their asses and tits

"nice reminiscent of a classic minimal josh wink !! justified cause’s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause… who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

massive electrohouse 2 tracker as you would expect from the stereo scum crew this will cause frenzi on the dancefloors a must have

low down music returns with some sexy tunes to put the spice back into every djs house collection. deviate brings us the heat in perfect timing as temperatures out doors are decreasing! deviate brings us groovy business that people will bundle up and head to the shops for 3 jammys to work a mood with. one deep cut to put close your eyes and nodd your head to a jackin techy joint on the inside that the likes of chicago greats derrick carter dj heather johnny fiasco would raise a glass and toast to and a sunday morning soothing song to bring the sun up with! a prefect pick to go along with da sunlounges last relase on amenti music and most if not all johnny fiasco produced releases from tonic recordings or klassik fiasco.

if someone had to describe the sixth release from pascal feos album >synaptic< with one word, >bassline< would be the one that fits. the a side >ausklang< is dominated by a sawtooth >bassline< which modulates more and more to reach her climax shortly before the break. the b page >stargazer< begins with a techno groove to change later by a charmingly lascivious >bassline< into a nice floating tune. as a bonus we have on b2 a nice >acid bassline< , which reminds of that man from the >jackcity<, regarding to the title > mr f <.

>1911< on side-a comes with a fat hard beat is running and flowing synth-work is building up and up, effected disco flavor sub-bass twils as if heiko laux and james holden would be collaborated together, even minilogue sounds, massive tech-house. >pixy zap< on side-b,is more cool sense of attitude with really deep acid-bass and synth-pad is on, with element of dubby and sexy minimaltech house. second track >als< on side-b, sounds as with cut up style and feels as delicate sensibilities, mad underground flavor

the latest in the >electropolis< series from la producer peter black. entitled >rabbit trax< this is his homage to chicago and is a driving industrial dance-sounding track akin to something front 242 or nitzer ebb would do

limited japan 12inch edition with dark and futuristic electro cuts